Abstract
This paper proposes a philosophical-literary interpretation of the work of Rainer Maria Rilke, carried out, fundamentally, from: Duino Elegies (1923) and Sonnets to Orpheus (1923). It is suggested that the Rilkean work contains a proposal for a solution to the existential problem of man in the world, in the context of the crisis of modernity. The poet describes a way to achieve a new human root, whose fundamental axis is the acceptance of death, which is materialized in the acquisition of awareness of one’s own body and its finitude, based on sensitive experiences.
| Translated title of the contribution | RAINER MARIA RILKE, POET OF THE INVISIBLE. THE TRANSCENDENCE OF DEATH IN THE LAST WORKS OF THE POET: DUINO ELEGIES AND SONNETS TO ORPHEUS |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 61-77 |
| Number of pages | 17 |
| Journal | Revista de Filosofia (Chile) |
| Volume | 78 |
| DOIs | |
| State | Published - 2021 |
Bibliographical note
Publisher Copyright:© 2021 Universidad de Chile. All rights reserved.
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