James Mcneill Whistler. De Valparaíso a Venecia: un viaje de ida y vuelta

Amalia Cross Gantes; Julieta Ogaz Sotomayor

doi:10.32995/rev180.Num-44.(2019).art-637

James Mcneill Whistler. De Valparaíso a Venecia: un viaje de ida y vuelta

Translated title of the contribution: James McNeill Whistler: de Valparaíso a Venecia: Un viaje de ida y vuelta

Amalia Cross Gantes^*, Julieta Ogaz Sotomayor^*

^*Corresponding author for this work

Universidad de los Andes

Research output: Contribution to journal › Article › peer-review

Abstract

This article deals with the experience and the works made by the painter James McNeill Whistler during his stay in Valparaíso in 1866. The objective is to investigate the effect that this trip had on his work and to explore its potential influence on Chilean art. It is also a progress of a broader research project that revolves around the question of travel in the history of art, through images, books and documents that account for more complex relationships of mobility—exchange and influence; reversibles, crossed or untimely—, with multiple directions and in different routes.

Translated title of the contribution	James McNeill Whistler: de Valparaíso a Venecia: Un viaje de ida y vuelta
Original language	Spanish
Pages (from-to)	29-38
Number of pages	10
Journal	Revista 180
Volume	44
DOIs	https://doi.org/10.32995/rev180.Num-44.(2019).art-637
State	Published - 2019

Keywords

Crossing borders
Modernism
Transoceanic journeys
Valparaiso
Whistler

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10.32995/rev180.Num-44.(2019).art-637

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title = "James Mcneill Whistler. De Valpara{\'i}so a Venecia: un viaje de ida y vuelta",

abstract = "This article deals with the experience and the works made by the painter James McNeill Whistler during his stay in Valpara{\'i}so in 1866. The objective is to investigate the effect that this trip had on his work and to explore its potential influence on Chilean art. It is also a progress of a broader research project that revolves around the question of travel in the history of art, through images, books and documents that account for more complex relationships of mobility—exchange and influence; reversibles, crossed or untimely—, with multiple directions and in different routes.",

keywords = "Whistler, transoce{\'a}nicos, historia entrelazada, Valpara{\'i}so, modernidad, viajes, Crossing borders, Modernism, Transoceanic journeys, Valparaiso, Whistler",

author = "{Cross Gantes}, Amalia and {Ogaz Sotomayor}, Julieta",

year = "2019",

doi = "10.32995/rev180.Num-44.(2019).art-637",

language = "Spanish",

volume = "44",

pages = "29--38",

journal = "Revista 180",

issn = "0718-2309",

publisher = "Universidad Diego Portales",

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AU - Cross Gantes, Amalia

AU - Ogaz Sotomayor, Julieta

PY - 2019

Y1 - 2019

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AB - This article deals with the experience and the works made by the painter James McNeill Whistler during his stay in Valparaíso in 1866. The objective is to investigate the effect that this trip had on his work and to explore its potential influence on Chilean art. It is also a progress of a broader research project that revolves around the question of travel in the history of art, through images, books and documents that account for more complex relationships of mobility—exchange and influence; reversibles, crossed or untimely—, with multiple directions and in different routes.

KW - Whistler

KW - transoceánicos

KW - historia entrelazada

KW - Valparaíso

KW - modernidad

KW - viajes

KW - Crossing borders

KW - Modernism

KW - Transoceanic journeys

KW - Valparaiso

KW - Whistler

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DO - 10.32995/rev180.Num-44.(2019).art-637

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VL - 44

SP - 29

EP - 38

JO - Revista 180

JF - Revista 180

ER -

James Mcneill Whistler. De Valparaíso a Venecia: un viaje de ida y vuelta

Abstract

Keywords

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