Iterative amplificatio: a new way to read the “Lame Beggars Sequence” in More’s Epigrammata

Erik Z.D. Ellis*

*Corresponding author for this work

Research output: Contribution to journalConference articlepeer-review

Abstract

Thomas More’s 281 epigrams form a diverse and seemingly haphazard collection of occasional and programmatic pieces written in a variety of meters on diverse topics. Since most of More’s papers disappeared in the years immediately following his death, it is difficult and perhaps impossible to reconstruct on the basis of external evidence the rationale behind the selection and distribution of his epigrams. Despite this challenge, internal evidence provides some clues. Nearly half of the epigrams are translations of Greek originals. Some of these Greek originals serve as the basis for sequences of epigrams, one of which is the “Lame Beggars Sequence.” Through a process of iterative amplificatio, More progressively cultivates eloquence as he extends the meaning of his original to encompass moral and political themes. In turn, he develops the theme into original compositions before producing a final translation that encompasses both the literal and moral senses of the original Greek.

Original languageEnglish
Pages (from-to)220-232
Number of pages13
JournalMoreana
Volume59
Issue number2
DOIs
StatePublished - 2022

Bibliographical note

Publisher Copyright:
© Amici Thomae Mori.

Keywords

  • amplificatio
  • epigrams
  • poetic composition
  • progymnasmata
  • Thomas More

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