Configuración y representación del espacio en la tempestad de William Shakespeare

Translated title of the contribution: Configuration and representation of space in William Shakespeare's the Tempest

Paula Baldwin Lind*

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

1 Scopus citations


In his profession of playwright, William Shakespeare frequently worked with the notion of space, but how did he manage to configure and represent it on the empty stage of the Globe theatre, at court, or at the Blackfriars private playhouse? How did he create that sense of space and place in a script with very few stage directions? Taking The Tempest as a case study, I will analyze the way in which Shakespeare communicates the sense of space onstage and throughout the script, to argue that his configuration does not only obey to the dramatic conventions of the Elizabethan era, but to the use of visual and sensory language set in motion by the actors, and the conditions of representation of the London theatres; specifically, to the performativity and flexibility of the empty space.

Translated title of the contributionConfiguration and representation of space in William Shakespeare's the Tempest
Original languageSpanish
Pages (from-to)11-35
Number of pages25
JournalRevista de Humanidades
Issue number41
StatePublished - 1 Jan 2020

Bibliographical note

Publisher Copyright:
© 2020 Universidad Andres Bello. All rights reserved.


Dive into the research topics of 'Configuration and representation of space in William Shakespeare's the Tempest'. Together they form a unique fingerprint.

Cite this